Domenico Burzo

The main purpose of the present essay is to try and trace back Romano Guardini’s conception of art through a focused reading of his work. In the contest of the idea of polarity, which gives structure to the living-real, and starting from an experience of meeting which stimulates creativity while determining the dynamics of knowledge as much as those of aesthetics, the first formation of images from the primordial experience of the sacred manifests as the vital center of every artistic experience...