L’opera d’arte e le immagini nel pensiero di Romano Guardini
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The main purpose of the present essay is to try and trace back Romano Guardini’s conception of art through a focused reading of his work. In the contest of the idea of polarity, which gives structure to the living-real, and starting from an experience of meeting which stimulates creativity while determining the dynamics of knowledge as much as those of aesthetics, the first formation of images from the primordial experience of the sacred manifests as the vital center of every artistic experience. This is clear both from the point of view of the production and that of the fruition of the piece of art. The experienced intuition of the sacred, through cults and liturgies, is the coherent framework in which the piece of art manifests as a promise. Starting from such a point, Guardini’s actuality will eventually become evident and able to cope with the most recent researches in aesthetics, psychology, and history of religions.
keywordsRomano Guardini, Image and Symbol, Sacred, Creativity, Piece of ArtBiografia dell'autoreLiceo Classico “G. Fortunato”, Pisticci (MT). Email: domenicoburzo@yahoo.it |
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