Kierkegaard et la reprise esthétique du topos symposiaque
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As the first text of Stages of Life’s Ways, In vino veritas is not the most quoted text by Kierkegaard. However, its study can teach us a lot on the pseudonymic method, the expression of aesthetics, but also on the way, after Platon, in which Kierkegaard transforms the banquet into a place, or a climate of a speech on truth. This article will locate this unknown piece of writing, will remind the point of it so as to explain its role in the existential topology and will propose an interpretation from its speech and rhetorical devices. This way, it aims at defining some modalities in the style of atmospheric writing proper to Kierkegaard, and through which existence is being communicated. Keywords: Kierkegaard, banquet, aesthetics, style, rhetoric |
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