Il Codice dell’Incertezza. Un approccio sistemico alla Musica Antica e all’Interpretazione musicale

Name: Il Codice dell’Incertezza. Un approccio sistemico alla Musica Antica e all’Interpretazione musicale
Brand: Vita e Pensiero
Price: 6.00 EUR
Availability: OnlineOnly

digital

Articolo

Rivista

RIVISTA DI FILOSOFIA NEO-SCOLASTICA

Fascicolo

RIVISTA DI FILOSOFIA NEO-SCOLASTICA - 2018 - 4

Titolo

Il Codice dell’Incertezza. Un approccio sistemico alla Musica Antica e all’Interpretazione musicale

The Code of Uncertainty. A Systemic Approach to Early Music and Musical Interpretation

Autore

Emanuela Pietrocini

Editore

Vita e Pensiero

Formato

Articolo |

Pdf

Pagine

Online da

02-2019

Doi

10.26350/001050_000081

Issn

0035-6247 (stampa) | 1827-7926 (digitale)

€ 6,00

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Descrizione

The interpretation of music has always been a subject of intense reflection, due to the importance of its cultural, artistic, philosophical and anthropological implications. Being an interpreter means connecting the musical composition to the audience, since he is allowed to perform the musical object and to represent it perceptively in the present time, bringing it back to life through his own artistic contribution. For this reason he plays an essential role in conveying forms of transversal knowledge in various levels of description. For a long time, the musical notation constituted the only resource to leave an eternal trail of the composition and of the composer’s intentions; according to the interpreter, the latter may be a valuable source of information or a limit on freedom of expression. The codification of musical score in fact contains margins of indetermination which refer to the complexity of the musical phenomenon and makes it possible to find right in the uncertainty an exceptional resource for the interpretation. The main concept of this work is reconfiguring the interpretive function through a systemic approach and producing a permanent and continuous recreation of the music, using as reference some aspects related to the forms, stylistic models and search paths which appeared in Early Music.