L’arte della verità. Una possibile risposta alla domanda dell’essere

novitàdigital L’arte della verità.
Una possibile risposta alla domanda dell’essere

Articolo

rivista	RIVISTA DI FILOSOFIA NEO-SCOLASTICA
fascicolo	RIVISTA DI FILOSOFIA NEO-SCOLASTICA - 2020 - 4
titolo	L’arte della verità. Una possibile risposta alla domanda dell’essere The Art of Truth. A Possible Answer to the Question of Being
autore	Félix Duque
editore	Vita e Pensiero
formato	Articolo \| Pdf
online da	02-2021
doi	10.26350/001050_000228
issn	00356247 (stampa) \| 18277926 (digitale)

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Descrizione
In the final stage of metaphysics, understood by Heidegger as the planetary reign of «cybernetics» and interpretable today as «digital ontotechnology», was precisely the ambiguous character of the booming modern technology (like a pharmakón), with its Entbergung character, that opened the way for him to think that in the implementation of the truth of being carried out by means of a téchne revolt against its own function of servitude, a historical «world» and the «earth» as the settlement of a people could be polemically joined together as a rejection of any utilitarian claim of dominion over the «things-as-objets». This conflict in the work of art can still be particularly helpful in understanding the current situation and the possible ways out of it. keywords Martin Heidegger, Onto-technology, Art, Truth, Mártys-Witness Biografia dell'autore Universidad Autónoma de Madrid. Email: felix.duque@uam.es

Descrizione

In the final stage of metaphysics, understood by Heidegger as the planetary reign of «cybernetics» and interpretable today as «digital ontotechnology», was precisely the ambiguous character of the booming modern technology (like a pharmakón), with its Entbergung character, that opened the way for him to think that in the implementation of the truth of being carried out by means of a téchne revolt against its own function of servitude, a historical «world» and the «earth» as the settlement of a people could be polemically joined together as a rejection of any utilitarian claim of dominion over the «things-as-objets». This conflict in the work of art can still be particularly helpful in understanding the current situation and the possible ways out of it.