Am Indifferenzpunkt der Kulturen. Heideggers ur-sprüngliche Interpretation der ostasiatischen Kunst

Name: Am Indifferenzpunkt der Kulturen. Heideggers ur-sprüngliche Interpretation der ostasiatischen Kunst
Brand: Vita e Pensiero
Price: 6.00 EUR
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digital

Articolo

Rivista

RIVISTA DI FILOSOFIA NEO-SCOLASTICA

Fascicolo

RIVISTA DI FILOSOFIA NEO-SCOLASTICA - 2020 - 4

Titolo

Am Indifferenzpunkt der Kulturen. Heideggers ur-sprüngliche Interpretation der ostasiatischen Kunst

At the Cultures’ Point of Indifference. Heidegger’s Original (ur-sprüngliche) Interpretation of East-Asian Art

Autore

Günter Seubold

Editore

Vita e Pensiero

Formato

Articolo |

Pdf

Pagine

Online da

02-2021

Doi

10.26350/001050_000230

Issn

0035-6247 (stampa) | 1827-7926 (digitale)

€ 6,00

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Descrizione

With the intention of destroying Western metaphysics in order to get to its origin, Heidegger also encounters East Asian art, which is mainly influenced by Zen Buddhism. This art does not, like Western art, want to represent the essence of a being, but rather to be a way to reach the nothing that grants everything. Heidegger even goes so far as to cautiously ask the question whether, with this «granting nothing», one has not arrived at the point of indifference of East Asian and Western culture, indeed of culture in general. The treatise examines what everything Heidegger knew about «East Asian art» and whether such an assumption is justified or not. Heidegger’s presumption, according to the author, of being at the point of indifference of cultures is certainly fascinating and worthy of discussion. But one cannot answer this presumption in any other way than through Heidegger’s disapproved «aesthetic» analysis of individual works of art.