Origine e verità dell’arte

novitàdigital Origine e verità dell’arte

Articolo

rivista	RIVISTA DI FILOSOFIA NEO-SCOLASTICA
fascicolo	RIVISTA DI FILOSOFIA NEO-SCOLASTICA - 2020 - 4
titolo	Origine e verità dell’arte Origin and Truth of Art
autore	Stefano Esengrini
editore	Vita e Pensiero
formato	Articolo \| Pdf
online da	02-2021
doi	10.26350/001050_000229
issn	00356247 (stampa) \| 18277926 (digitale)

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Descrizione
In order to clarify the ‘poetic’ nature of man’s dwelling on Earth, we deem it urgent to reconsider the path that led Martin Heidegger to pay attention to the dialogue between art and thought. However, before allowing art to illuminate in advance the same understanding of the world thought has, it proves essential to grasp the meaning of the revolution the German thinker made within the history of philosophy. Thanks to the de-obstruction of modern philosophy, which is founded on the subject-object relationship, Heidegger makes us overcome the corresponding interpretation of art in aesthetic terms. Therefore, on the basis of a new foundation of thought, art is freed from the risk of being confined to the dimension of beauty and becomes a power capable of giving shape to the truth of the world and of the man who inhabits it. keywords Martin Heidegger, Art and Thought, Dasein, Truth, Openness, Poetry Biografia dell'autore Università Cattolica del Sacro Cuore, Milano. Email: stefano.esengrini@virgilio.it

Descrizione

In order to clarify the ‘poetic’ nature of man’s dwelling on Earth, we deem it urgent to reconsider the path that led Martin Heidegger to pay attention to the dialogue between art and thought. However, before allowing art to illuminate in advance the same understanding of the world thought has, it proves essential to grasp the meaning of the revolution the German thinker made within the history of philosophy. Thanks to the de-obstruction of modern philosophy, which is founded on the subject-object relationship, Heidegger makes us overcome the corresponding interpretation of art in aesthetic terms. Therefore, on the basis of a new foundation of thought, art is freed from the risk of being confined to the dimension of beauty and becomes a power capable of giving shape to the truth of the world and of the man who inhabits it.